To prepare for writing the book, I planned to go to Africa to see gorillas on the slopes of the Virunga volcano chain in eastern Congo. But apparently, book reviewers had never heard of Koko. Koko had also been interviewed on television, where with quick hand gestures she complained about the bright lights, and told the TV interviewer to go away. After all, she had been twice on the cover of National Geographic magazine, and once on the cover of the New York Times magazine.
This despite the fact that I had modeled Amy on a real signing gorilla, Koko, then at Stanford University. When the book was published, most reviewers found the character of Amy, the sign-language-using gorilla, too incredible to believe. I was also interested in the experimental attempts to teach apes to use language, and the implications of this research for animal rights, which in the late 1970s was a very obscure topic.
Rider Haggard adventure story, “King Solomon’s Mines,” and I wanted to write a similar sort of Victorian adventure, set in the 20th century.
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